LISTENING AT THE BORDER
"We are lured by the sonorous, aurally detained and at times surrounded by countless conversations. We all want to hear secrets and we wish to have them told to us; we need the inflection, crave the contract of the undisclosed. In our image-burdened culture we seek the visual but require the audible to complete the message. Listening at the Border examines what it means to monitor the airwaves on patrol, listening in from the perspectives of a westerner trained by the American military in the nuances of a foreign language. This sphere of signals and translation can become overwhelming, causing ruptures through which individuals exit wholly. For this linguist this listening, this concentration of sense became a means of disconnecting, antithetical to military rhetoric: his way out..."
Needham, J. (2007). Subscription to Anonymity. In R. Bandt, M. Duffy, & D. McKinnon (Eds.), Hearing Places, Cambridge, UK: Cambridge Scholars Press.
I was invited to create a segment for the producers from previously unheard elements from Listening at the Border. The over-all program weaves together so many compelling aspects, an amazing radiophonic work. Listen in....
Featured are: "Oslo Davis a professional eavesdropper, various ear mechanics and a couple of people with unique perspectives on the world of sound; a former music retailer Greg Hartney, who suffers from nerve deafness and radio broadcaster Glen Morrow who is legally blind. Brain waves, sound waves, shock waves....radio waves - angels and angst, memory and message." Produced by Marian Blythe and John Tebbutt for ABC.
Listening at the Border is a part of the hour long line-up as well as David Goren's haunting work titled Atencion: Seis Siete Tres Siete Cero: The Shortwave Numbers Mystery, Roman Mars work Max Neuhaus and Pirate Station by Emily Botein, Sherre DeLys, John Lurie, and Rick Moody.